Youtube Video: Do visual artists see the world differently?
Lou, Lou. (2023). Seeing and depicting images: A Cognitive science perspective, Presented at the 14th International Conference of the Image, Zaragoza, Spain.
Lou, L. (2021), The constancy and amelioration of a shape constancy bias over prolonged exposure to the stimulus, Presented at the European Conference of Visual Perception, Online
Lou, L. (2020). Size Inflation in Drawing from Mirror and Proportional Accuracy in Observational Drawing, Perception, 49(7), 749-770. DOI: 10.1177/0301006620933147
Lou, L. (2019). Three Attractors in Painting from Observation: The Distal, the Proximal, and the Affective, Presented at the Representational Art Conference, Ventura, California
Lou, L. (2018). Artists’ innocent eye as extended proximal mode of vision, Art and Perception, 6 (1), 1-40. DOI: 10.1163/22134913-00002100
Lou, L. (2018). Towards an Experimental Psychological Pedagogy of Observational Depiction, Presented at the Representational Art Conference, Leeuwarden, Netherlands
Lou, L. (2018). Head-to-Mirror Proportion Error Decreases in Self-Portraits that Include Background Objects, Presented at the 4th Visual Science of Arts Conference, Trieste, Italy
Lou. L (2017). Teaching Scientific Laws with Gestalt Laws, Presented at the Vancouver International Conference on the Teaching of Psychology.
Lou, L. (2016). What could an artist's innocent eye mean, psychologically speaking? Presented at the 4th Visual Science of Arts Conference, Barcelona, Spain
Lou, L. (2015). Towards a dual-modal theory of seeing in visual depiction. Presented at the 3rd Visual Science of Arts Conference, Liverpool, Britain
Lou, L. (2014). What is the Pictorial Mode of Seeing? Presented at the 2nd Visual Science of Arts Conference, Belgrade, Serbia
Lou, L. (2014). Can Political Orientation be Perceived from Faces? Presented at the 2nd Conference of Psychology and Social Harmony, SuZhou, China
Lou, L. (2008). Troxler effect with dichoptic stimulus presentations: Evidence for binocular inhibitory summation and interocular suppression. Vision Research, 48(14), 1514-1521.
Lou, L. (2007). Apparent afterimage size, Emmert's law and oculomotor adjustments, Perception, 36, 1214-1228.
Lou, L., & Chen, J. (2003) Attention and blind-spot phenomenology, Psyche: An Interdisciplinary Journal of Research on Consciousness, 9(2)
Lou, L. (2001). Effects of voluntary attention on structured afterimages. Perception, 30(12), 1439-1448.
Osman, A., Lou, L., Muller-Gethmann, H., Rinkenauer, G., Mattes, S., & Ulrich, R. (2000). Mechanisms of speed-accuracy tradeoff: Evidence from covert motor processes. Biological Psychology, 51(2-3), 173-199
Lou, L. (1999). Selective peripheral fading: Evidence for inhibitory sensory effect of attention. Perception, 28(4), 519-526.
Lou, L. (1999). Selective peripheral fading: How attention leads to loss of visual consciousness. In[S. R. Hameroff, A. W. Kaszniak, D. Chalmers Eds.] Toward a Science of Consciousness: The Third Tucson Debates and Discussions, MIT Press pp189-196.
Lou, Lou. (2023). Seeing and depicting images: A Cognitive science perspective, Presented at the 14th International Conference of the Image, Zaragoza, Spain.
Lou, L. (2021), The constancy and amelioration of a shape constancy bias over prolonged exposure to the stimulus, Presented at the European Conference of Visual Perception, Online
Lou, L. (2020). Size Inflation in Drawing from Mirror and Proportional Accuracy in Observational Drawing, Perception, 49(7), 749-770. DOI: 10.1177/0301006620933147
Lou, L. (2019). Three Attractors in Painting from Observation: The Distal, the Proximal, and the Affective, Presented at the Representational Art Conference, Ventura, California
Lou, L. (2018). Artists’ innocent eye as extended proximal mode of vision, Art and Perception, 6 (1), 1-40. DOI: 10.1163/22134913-00002100
Lou, L. (2018). Towards an Experimental Psychological Pedagogy of Observational Depiction, Presented at the Representational Art Conference, Leeuwarden, Netherlands
Lou, L. (2018). Head-to-Mirror Proportion Error Decreases in Self-Portraits that Include Background Objects, Presented at the 4th Visual Science of Arts Conference, Trieste, Italy
Lou. L (2017). Teaching Scientific Laws with Gestalt Laws, Presented at the Vancouver International Conference on the Teaching of Psychology.
Lou, L. (2016). What could an artist's innocent eye mean, psychologically speaking? Presented at the 4th Visual Science of Arts Conference, Barcelona, Spain
Lou, L. (2015). Towards a dual-modal theory of seeing in visual depiction. Presented at the 3rd Visual Science of Arts Conference, Liverpool, Britain
Lou, L. (2014). What is the Pictorial Mode of Seeing? Presented at the 2nd Visual Science of Arts Conference, Belgrade, Serbia
Lou, L. (2014). Can Political Orientation be Perceived from Faces? Presented at the 2nd Conference of Psychology and Social Harmony, SuZhou, China
Lou, L. (2008). Troxler effect with dichoptic stimulus presentations: Evidence for binocular inhibitory summation and interocular suppression. Vision Research, 48(14), 1514-1521.
Lou, L. (2007). Apparent afterimage size, Emmert's law and oculomotor adjustments, Perception, 36, 1214-1228.
Lou, L., & Chen, J. (2003) Attention and blind-spot phenomenology, Psyche: An Interdisciplinary Journal of Research on Consciousness, 9(2)
Lou, L. (2001). Effects of voluntary attention on structured afterimages. Perception, 30(12), 1439-1448.
Osman, A., Lou, L., Muller-Gethmann, H., Rinkenauer, G., Mattes, S., & Ulrich, R. (2000). Mechanisms of speed-accuracy tradeoff: Evidence from covert motor processes. Biological Psychology, 51(2-3), 173-199
Lou, L. (1999). Selective peripheral fading: Evidence for inhibitory sensory effect of attention. Perception, 28(4), 519-526.
Lou, L. (1999). Selective peripheral fading: How attention leads to loss of visual consciousness. In[S. R. Hameroff, A. W. Kaszniak, D. Chalmers Eds.] Toward a Science of Consciousness: The Third Tucson Debates and Discussions, MIT Press pp189-196.